The homeowners were, for the most part, grateful the ghost only made tinkling musack, inoffensive easy listening tunes, and did not wail or howl at all hours of the night. It didn’t even weep ceaselessly. The ghost didn’t throw knives or stomp or bang on the walls. No one’s toes were nibbled. There were no figures in the mirrors, standing right behind them, over their shoulder, glaring a death’s glare (or worse, a grin!). There was just the sound of C sharp, B minor, the occasional chord plunking away right in their ear wherever they turned. They never woke up to scratches (maybe some headaches), and the songs the ghost played were never morose or doomful (although it was clear, from the occasional off-note, the slips, that the fucker needed to practice, didn’t it?). It only played repetitive, uncomplicated modern compositions, (how much Philip Glass can one ghost take at a time?). And while the ghost did help for parties, its origins were quite the conversation starter, at some point they stopped caring whether it was the spirit of a murdered cut rate musician, or a musically frustrated housewife turned to suicide, or if the piano itself was possessed with some poltergeist of bad taste, or if perhaps it was just a curse (they were pretty sure it was a curse, though).Yes, they would say, (before they stopped saying anything at all), the ghost only plays piano. And no: it isn’t very good. And no: it never, ever stops.